Luigi Capuana, atypical verista attracted by occult’s fascination, was the first ever literary model for Pirandello and also contributed at the end of 800th century to lead ideologically the writer from Girgenti on the way of the irrational, by inducing in him a concrete interest for theosophical and spiritualistic doctrines. The aim of this essay is to display how the influence operated by the writer from Mineo on Pirandello could be also considered on dreamlike bases, through a survey of analogies and links between Capuana’s Sogni... non sogni!(1905) and Pirandello’s Visita(1935). In fact is the suggestive topic of «dream’s reality» –probably attributable to theosophy and frequent in the last Pirandello’s ...
The purpose of this article is to present main literary relations between an Italian novelist and pl...
This paper focuses on Giacinta (1879) by Luigi Capuana. It discusses the affinities and differences ...
La produzione narrativa di Paola Capriolo, dall’esordio con i racconti de La grande Eulalia al recen...
The essay aims to focus the influence that Luigi Capuana, “verista” inclined to the occult’s fascina...
The author reconstructs the topos of Six characters in search of an author which is present in Piran...
Pirandello’s influence on contemporary writers is impossible to measure. Pirandellismo is evid...
Luigi Capuana (1839–1915) and Luigi Pirandello (1867–1936) were two of the most important Italian wr...
open1noIl saggio analizza l’influenza di Capuana sull’opera di Luigi Pirandello. Dalle riflessioni s...
Una extraordinaria vena fantástica anima toda la producción literaria de Pirandello, un fantástico q...
The author, in this essay, intend to analyze Pirandello’s Il giuoco delle parti with those exegetica...
Nel quadro della produzione pirandelliana, il saggio sull’umorismo, scritto fra il 1906 e il 1908 e ...
The 19th-century was characterized by unshakable trust in both political and spiritual authority. H...
The essay analyzes the image of the statue in some pirandellian texts, in particular in an essay on ...
In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particu...
Il contributo intende portare alla luce una fonte ignota di Pirandello, il saggio Fondemens psycholo...
The purpose of this article is to present main literary relations between an Italian novelist and pl...
This paper focuses on Giacinta (1879) by Luigi Capuana. It discusses the affinities and differences ...
La produzione narrativa di Paola Capriolo, dall’esordio con i racconti de La grande Eulalia al recen...
The essay aims to focus the influence that Luigi Capuana, “verista” inclined to the occult’s fascina...
The author reconstructs the topos of Six characters in search of an author which is present in Piran...
Pirandello’s influence on contemporary writers is impossible to measure. Pirandellismo is evid...
Luigi Capuana (1839–1915) and Luigi Pirandello (1867–1936) were two of the most important Italian wr...
open1noIl saggio analizza l’influenza di Capuana sull’opera di Luigi Pirandello. Dalle riflessioni s...
Una extraordinaria vena fantástica anima toda la producción literaria de Pirandello, un fantástico q...
The author, in this essay, intend to analyze Pirandello’s Il giuoco delle parti with those exegetica...
Nel quadro della produzione pirandelliana, il saggio sull’umorismo, scritto fra il 1906 e il 1908 e ...
The 19th-century was characterized by unshakable trust in both political and spiritual authority. H...
The essay analyzes the image of the statue in some pirandellian texts, in particular in an essay on ...
In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particu...
Il contributo intende portare alla luce una fonte ignota di Pirandello, il saggio Fondemens psycholo...
The purpose of this article is to present main literary relations between an Italian novelist and pl...
This paper focuses on Giacinta (1879) by Luigi Capuana. It discusses the affinities and differences ...
La produzione narrativa di Paola Capriolo, dall’esordio con i racconti de La grande Eulalia al recen...